Showing posts with label natural gas. Show all posts
Showing posts with label natural gas. Show all posts

Sunday, February 28, 2016

Methane Is: shale gas methane emissions contribute substantial greenhouse gases, by Ruth Hardinger

I invited my friend and fellow activist artist, Ruth Hardinger to guest blog on methane emissions. The dangers of these emissions is one of the most serious motivators for the Blued Trees Symphony. I am happy to post this on the day after the arrest of eleven Resist AIM Pipeline defenders who chained themselves to an access gate to halt Hudson River drilling for the Algonquin Incremental Market (AIM)- the Spectra Corporation Pipeline. The site of their arrests was not far from where Spectra destroyed the Blued Trees overture   Thanksgiving weekend 2015. On the same day, Governor Cuomo sent a letter to the Federal Energy Regulatory Commission (FERC) to halt construction on the AIM, and New York State Senators Liz Krueger and Felix Ortiz demanded pension fund fossil fuel divestments from Albany. It is a companion piece to the previous post, "After the Ph.D.," on environmental research work from artists. - Aviva Rahmani


Activists blocking Spectra work before arrests. Screenshot from FB of Photo by Erik R. McGregor

“The short-lived climate pollutants [like methane] that we emit from human activities are basically controlling how fast the warming occurs, she said. This is because they are very powerful at absorbing radiation."[1]


Methane is CH4.  It is a powerful greenhouse gas. It degrades over 8 to 12 years in the atmosphere, as it converts into carbon dioxide (CO2).  There are three different sources of methane gas including thermogenic (from deep geology), anthropogenic (from human activities) or biogenic  (from living organisms ) methane[2].   “Natural” gas is composed of 85 to 99% methane, mostly thermogenic methane. 

The global warming potential of CH4 has been upgraded by IPCC to at least 86 times stronger than CO2 during a 20 year time frame of this gas, and 105 times stronger over a 10 year time frame.  Methane, grouped with other near-term climate forcers such as black carbon, hydrofluorocarbon and aerosols, is the most likely greenhouse gas escalating the planetary heat now, because there is so much of it being released.  There have been few measurements of gas leakage from gas wells and pipelines.  The measurements that have been made have found substantial concentrations of methane in the atmosphere.  Further, the EPA comparison of methane to CO2 on the 100 year time frame claims methane is 25 times stronger than CO2, hiding the real impact of CH4’s near-term presence.  Simply, the 100 year time frame does not acknowledge methane’s impact. 

The current atmospheric concentrations of CO2, methane and nitrous oxide have levels unprecedented in the last 800,000 years.[3]  There is great concern about the absence of data collected of actual measurements of emissions.   Fugitive methane emissions have been measured in only a few cities: San Francisco CA, Manhattan, NY[4], Washington DC, Boston MA, and several small towns. The urgency to address climate change should be based on the actual impacts of this potent GHG.  Bryce Payne, PHD and two other scientists wrote to the White House and State Department that the GWP (global warming potential) of methane needs be positioned even shorter than 20 years, it should be a 10 year time frame.  This will allow us to understand what we are facing and to act appropriately to reduce the changing of our planet’s climate.

Methane leakage impacts arise from man-made sources that include natural gas pipeline leakage, leakage and venting of upgrading pipelines, abandoned old wells, new wells, gas or oil storage fields (these are highly pressurized for example near Porter Ranch), migration underground that rises to the surface, and emissions from waste water disposal and earthquakes, venting methane in oil well fields, and more.  This is happening in the US and in other countries. Evidence of leakage can be seen in the images attached here.[5]  Damascus Citizens for Sustainability (DCS) has conducted methane emissions measurements in rural areas where methane escaped and has travelled beyond the target production zone underground, connected existing faults and fractures allowing gas to migrate to aquifers and the surface. 
Figure 5.  Image created by Bob Ackley, and Bryce Payne, Ph.D GasSafetyUSA 
The 3-4 June 2013 Towenda-Wyalusing Ambient Air Methane Survey.
Relative methane levels indicated in red (highest peak in the image = 3.9ppm)
Blue and orange markers indicate the Paradise Road and Sugar Run methane migration
impact areas (4-mile) designated in 16 May 2011 Pa DEP Consent Order.

Wyalusing area showing elevated methane (geological leakage) over a wide area in Susquehanna County, PA along the Susquehanna River  This is data obtained with a Picarro CRDS machine which produces very accurate measurements of methane to 1/2 ppm.  Chesapeake, the gas driller in the area, was fined $900,000.by Pennsylvania DEP for causing gas migration. The area picture is detailed in the May 16 PA DEP Consent Order (post damage arrangement) which has the maps that are made by the yellow and blue points in the image. At least one lawsuit was settled there for $1.6 million and there are many more filed.


Image created by Bob Ackley, and Bryce Payne, Ph.D GasSafetyUSA 


Results of methane survey of parts of Manhattan and rural areas to the East on 27-30 November and December 2012.

DCS reported on fugitive emissions of Manhattan in 2012 and in New York City Gas Safety Inc. in 2015 determined that at least 6.6% of the total delivered gas is leaking although likely much more. [6]

Natural gas brings substantial and devastating health impacts.  DCS has participated in a compendium of health impacts from fracking.[7] Methane is an indicator gas for the mixture that is natural gas.  The mixture includes radon, endocrine disruptors, benzene toluene VETX , and more. Methane creates asthma from ozone and burning the gas emits ultrafine particulate matter, under 2.5 microns–these are like breathing someone else’s tobacco, an impact that it is overlooked.[8]  Global health agencies have encouraged awareness of air pollution-related diseases that causes over 6 million deaths every year. [9]

A quote from Bryce Payne, PhD  [10]
SITUATION IN BRIEF
"It is essential that all UNFCCC (Cop 21) Parties and the global citizenry be as clearly informed as possible with respect to potential climate change and what is being done to mitigate anthropogenic forcing of the climate compared to what is actually necessary if disruptive climate change is to be minimized. If climate change mitigation efforts are to be effective, the short-term impacts of potent, short-lived greenhouse gases, especially methane, must be considered. In the near term, methane emissions due to human activity have a stronger global warming impact than the much larger emissions of carbon dioxide. Current greenhouse gas inventory and reporting rules of the UNFCCC are causing the climate impacts of greenhouse gases such as methane to be effectively ignored."

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Ruth Hardinger is an artist and a Board and Steering Committee member with Damascus Citizens for Sustainability (DCS) since 2009.  DCS is a 501-C3 organization that stands for clean water, air and land as basic human rights.   She initiated the fugitive emissions measurements and studies in Manhattan for DCS with Rebecca Smith, and Barbara Arrindell (DCS Director).  In recent art installation exhibitions, Hardinger has used abstraction from the methane measurement work for The Basement Rocks and The Basement Rocks – LOUDER.  The materials and sensitivity of constructions encourage awareness of the underground.  These exhibitions are accompanied with “Grounding” a sound of the underground, by rock musician Andy Chase, and letters for the visitors to take that convey her conversations with scientist, Bryce Payne, PhD and professor Ron Bishop, PhD regarding damage that is happening to the underground, the place of the most biomass in our planet. 



[1] http://www.scientificamerican.com/article/how-bad-of-a-greenhouse-gas-is-methane/
[3]https://www.ipcc.ch/news_and_events/docs/COP19/COP19_final_presentation.pdf
[5] http://www.damascuscitizensforsustainability.org/2015/03/survey-ground-level-ambient-methane-levels-wyalusing-pa/
[6]http://www.damascuscitizensforsustainability.org/2013/03/manhattan-natural-gas-pipeline-emissions-press-release/
[8]http://webcache.googleusercontent.com/search?q=cache:jExC_RQLhREJ:eujournal.org/index.php/esj/article/view/6517+&cd=1&hl=en&ct=clnk&gl=us&client=safari
[9] http://www.unep.org/ccac/Portals/50162/docs/ccac/WG-APR2014-2-%20CCAC_Executive_Summary.pdf
[10] http://www.damascuscitizensforsustainability.org/2015/12/letter-to-president-obama-on-methane-emissions/

Tuesday, February 2, 2016

"Blued Trees" for Resilience and Resistance

Blued Trees in the frontlines from Virginia to Rensselaer County
February 20, 2016 in Zurich, Switzerland, a Blued Trees progress report will be delivered during the "Resilience" panel for the Models of Diversity conference and exhibition http://www.z-node.net/cms/index.html at the Institute of Integrative Biology, ETH Zurich. 
 
Federal copyright registration of Blued Trees sites continues. Legal research is currently being assembled to consider charging Spectra Energy with copyright violation over their destruction of the Blued Trees overture as a fixed work of ecological art. Blued Trees continues to be installed in the United States, in pathways of proposed natural gas pipeline expansions http://www.gulftogulf.org/map, and internationally, for the Blued Trees Greek Chorus.
 
The Blued Trees symphony has entered the third movement. It continues to seek novel legal recourse to protect the symphony and will track, respond and transpose legal developments around "public good" and eminent domain takings that support toxic fossil fuel industries. The third movement will segue to the coda of Blued Trees on the American Presidential Election Day, November 2016. 
 
The following excerpt, with music based on transposing the distribution of painted trees in New England, is from a December 15, 2015 performance at ISCP. That performance was a first draft for future events:

Blued Trees stands in solidarity with conscientious objectors, such as the "Montrose 9" who were arrested for protecting the same site where the Blued Trees overture was destroyed, November 9th, 2015. They will return to court February 3, 2016, to exercise the climate necessity defense for civil disobedience: http://tinyurl.com/necessitydefense.
 

Watch the Blued Trees overture: https://vimeo.com/135290635




Monday, September 7, 2015

"Blued Trees" Fact Sheet

Blued Trees
Multi-Form Permanent Art Installation
Conceived Of By Ecological Artist Aviva Rahmani

Blued Trees Stands in the Path of Gas Pipeline Expansion on Private Land Seeking Copyright to Protect the Art, Hence the Land

Second Phase of Installation Slated for October 4

Never doubt that a small group of thoughtful, committed citizens can change the world;
indeed, it is the only thing that ever has. -- Margaret Mead


FACT SHEET

Please see previous posts for more information and visuals.

A five minute film of the Blued Trees “overture” launch can be viewed at: https://vimeo.com/channels/94313

  • Blued Trees is a site-specific permanent artwork installed on private land in the path of the Algonquin natural gas pipeline in New York State. The project was conceived of by ecological artist Aviva Rahmani at the invitation of New York residents-cum-activists faced with fossil fuel corporations expanding pipelines through their properties. The Algonquin pipeline, owned by the Spectra Corporation, passes within 105 ft. of the Indian Point nuclear facility, in Peekskill, 30 miles from New York City.

  • The artwork consists of a number of trees, painted with a slurry of non-toxic ultramarine blue pigment and buttermilk, designed to grow moss, in the pattern of a vertical sine wave. If perceived aerially, the trees designated for painting represent “notes” in a symphonic score, and are accompanied by a “Greek Chorus” of painted trees and music at other sites.

  • Spectra is now moving to condemn the land the art is on by eminent domain and begin excavation of the site in October. Rahmani has filed a federal copyright to protect this site-specific artwork and related domestic and international “Greek Chorus” sites of painted trees and music that were simultaneously initiated as part of the “Overture.”

  • The Blued Trees “Overture” launched June 21, 2015, in Peekskill, NY. The property owners on whose land Blued Trees sits have received notification that their land will be condemned. The intended imminent excavation for the pipeline expansion is among many other pipeline projects that are planned and being permitted across the country.

  • For the “Overture,” the bark of approximately twenty designated trees within the pipeline corridor was painted with a blue sine wave, beginning at the tree's roots, and winding up the trunk. The Blued Trees artwork is integrated with the trees and all living things on and in the soil of the site.

  • To make the musical composition, each painted tree was mapped to become a “note” in the Blued Trees score. The distribution of the trees in the “Overture” corresponds to a measure of music which can be played or sung as a melody. Each measure, 1/3 mile, of the symphonic installation is simultaneously an aerial map and a musical score.

  • The first movement of a larger “Symphony” is planned for October 4, 2015. On that date, at 5 sites locally and internationally, approximately 75 additional trees will be painted, the project will be performed and documented to expand the sphere of protection. When the human performers leave, the installation remains with the trees as a permanent work of art.



  • The “Greek Chorus,” trees that have been painted with the blue sine wave in other locations, could be protected by copyright as part of Blued Trees, so long as they each conform to the same design concept. “Greek Chorus” sites so far have included Washington, Florida, Virginia, and Lisbon, Portugal.

  • Blued Trees endeavors to prevent the destruction of the habitat and artwork embedded into the habitat, as well as the danger of a nuclear accident. The project is a bold, innovative strategy to redefine public good by protecting the integrity of art and nature. A legal basis for that protection is the Visual Artists Rights Act (VARA), which asserts the “moral rights of art” against destruction.

  • The currently filed US Copyright Registration Application is for elements of the "Overture,” launched in Peekskill, New York. This application will be the heart of the first Cease and Desist Demand to be addressed to Spectra Corporation. The demand is intended to prevent an October excavation, and would include the Greek Chorus for that launch. This registration will likely be the first of two filings. A second copyright registration application filing will include additional work to be completed elsewhere October 4, 2015.

  • The project is raising funds now for the legal process that could stop the proceedings before the scheduled date to break ground for the Algonquin pipeline expansion. This would begin a process of pitting copyright law against condemnation by eminent domain takings in the name of public good. If sufficient funds are raised, the legal team would address the overlap between copyright and eminent domain law. The proposed legal actions might lead to a redefinition of the public good.

  • To date, new locations for the full “Symphony” have been secured in 3 states with committed artists spearheading each of the installations. Some artists who have confirmed they will be painting measures of land in the path of the expansions include: Deanna Pindell, Wash., Toshia Hance, N.Y., and Robin Boucher, Va.

  • Blued Trees is an element or aspect of Gulf to Gulf, a fiscally sponsored NYFA project, which has investigated how art might impact climate change policy since 2010.



About Aviva Rahmani

Ecological artist Aviva Rahmani’s art work has reflected environmental and social concerns throughout her career. Her projects range from complete landscape restorations to museum venues that reference painting, sound and photography. Early influences on her work include interdisciplinary classical studies, activism, city planning and the merging of science with aesthetics. Aviva Rahmani is an affiliate at the Institute for Arctic and Alpine Research (INSTAAR) at the University of Colorado at Boulder, Colorado. She is a PhD candidate at the University of Plymouth, UK, has exhibited and published internationally and has been the recipient of numerous grants. I am recommending her because she is using art to effect environmental change in innovative ways. Her most recent work, Blued Trees launched June 21, 2015. It contests the definition of eminent domain with the moral rights of art. More information is available at www.ghostnets.com.

Press Contact:
Margery Newman
MargeryNewman@aol.com, 212-475-0252