June 21,
2015 “Blued Trees,”
will
launch the overture for a symphony conceived by
Aviva
Rahmani at multiple international sites.
Participating
international artists and landowners will be announced.
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This mage illustrates a portion of the proposed route of the Algonquin 42" "natural" gas pipeline corridor that would abut the Indian Point nuclear facility in Westchester County, New York. If there's an accident, the entire East Coast of North America could experience an American Fukushima. Internationally, similar fossil fuel infrastructure installations endanger the public good. Blued Trees is a symphonic installation for the silent trees that would be destroyed to enable the pipeline. Blued Trees challenges the legal definition of "pubic good" that legitimates eminent domain for fossil fuel infrastructures, with the moral integrity of art under the Visual Artists Rights Act.
Mapping by Aviva Rahmani. |
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Art to challenge the amoral control of the world. Blued Trees score by Aviva Rahmani, mapped with Daisy Morton.
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"Natural" gas is in quotes because the source is from fracking and the process generates methane. Advertising it as a source of clean energy is at best, a misnomer and as others have pointed out, the marketing strategy is comparable to how tobacco companies historically defended toxic practices.
The Blued Trees score is both a spatial map for installation and a musical composition.
Anyone may be a participating performer June 21, 2015 as part of the Greek Chorus for the Blued Trees symphonic overture. The goal of painting trees in a particular design on the surface and a pattern of distribution across distance is for the purpose of establishing a legally defensible copyright. The documentation of completing the paintings goes into a copyright package for filing, which would be done by at the federal level by attorney Patrick Reilly. Trees may be painted before June 21, 2015.
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| 1 painted tree. Photo: Frank Spinelli |
PAINTING TREES:
Simplified recipe for Blued Trees Painting a Blue Wave on One Large Tree
Whisk or mix until uniform:
3 teaspoons ultramarine blue pigment and
12 oz full fat buttermilk (thick, spreads well)
Here's an alt: Squeeze a TBSP of lemon juice into 12 oz of whole milk -- wait a bit for milk to thicken)
Outline the wave --- we used blue sidewalk chalk.
The wave shape on each tree should be tall, wide and in proportion to the dimensions of the surface.
(see pics on website: www. pushing rocks. blogspot)
A three or four inch brush works well. Have a rag handy to wipe off the drips. (Or don't)
One coat produces a translucent wave,
A second, touch-up coat will stand out
More information:
If you plan to paint trees, other relatively permanent vegetation or a landscape feature that isn’t on your own property, please get written permission from landowners. You can purchase sufficient ultramarine blue (a non-toxic color) dry pigment and either fresh or powdered buttermilk to paint your trees or other plant species with stylized waves. The casein slurry for painting could grow moss in a forest. Source for the pigment includes Dick Blick: http://www.dickblick.com/products/gamblin-artists-colors-dry-pigments/. Sources for buttermilk powder include amazon.com. Purchase a 4” wide house-painting bristle brush to practice painting. The wave shape on each tree should be tall, wide and in proportion to the dimensions of the surface, for example, 10' high by 2' wide wrapping around a good sized true trunk. See the previous post on this blog to reference how the tree might appear after the painting
The measure for the symphony may be repeated in various forms because it has been transposed into music. The measure may be repeated (iterated) and improvised on. The measure changes from a major to a minor signature to express hope. (The clip link records how I worked out the key change with my singing teacher, Debra Vanderlinde.) Performing the music or a variation on it's melodic theme is a way to participate in the score, which will also be copyrighted as part of the same Blued Trees overture. The documentation of performance will go towards effecting the strategy of taking back the justice system from corporatized malfeasance:
Progress of Blued Trees may be followed on twitter #BluedTrees. One note, one tree or group of trees is identified with the Blued Trees logo:
If you plan to paint trees, other relatively permanent vegetation or a landscape feature that isn’t on your own property, please get written permission from landowners. You can purchase sufficient ultramarine blue (a non-toxic color) dry pigment and either fresh or powdered buttermilk to paint your trees or other plant species with stylized waves. The casein slurry for painting could grow moss in a forest. Source for the pigment includes Dick Blick: http://www.dickblick.com/products/gamblin-artists-colors-dry-pigments/. Sources for buttermilk powder include amazon.com. Purchase a 4” wide house-painting bristle brush to practice painting. The wave shape on each tree should be tall, wide and in proportion to the dimensions of the surface, for example, 10' high by 2' wide wrapping around a good sized true trunk. See the previous post on this blog to reference how the tree might appear after the painting
Music for Blued Trees.
The measure for the symphony may be repeated in various forms because it has been transposed into music. The measure may be repeated (iterated) and improvised on. The measure changes from a major to a minor signature to express hope. (The clip link records how I worked out the key change with my singing teacher, Debra Vanderlinde.) Performing the music or a variation on it's melodic theme is a way to participate in the score, which will also be copyrighted as part of the same Blued Trees overture. The documentation of performance will go towards effecting the strategy of taking back the justice system from corporatized malfeasance:
Progress of Blued Trees may be followed on twitter #BluedTrees. One note, one tree or group of trees is identified with the Blued Trees logo:
This is fascinating and important. Bravo!
ReplyDeleteThis sounds fantastic!
ReplyDelete